Writing a Novel (Evening) Writing a Novel (Evening) Writing a Novel (Evening)

Writing a Novel (Evening)

A comprehensive six-month writing course for the serious writer, with access to some of the biggest names in publishing. If you're thinking about a creative writing MA, consider this practical alternative.



What do these levels mean?




6 month +
  • Time
  • Wednesdays 7 – 9 p.m.
  • Application Deadline
  • Sunday 17 Sep 2023

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£670 / month for 5 months and a £1,000.00 deposit


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The application deadline for this course has now passed.

Dedicate six months to your novel

This is our flagship course, which has seen alumni such as S J Watson, Rachel Joyce, Gail Honeyman and Alice Feeney go on to conquer bestseller lists around the world. Designed by the Director of our Fiction Programme, Richard Skinner, it's a six-month deep dive into the art of the novel, with sessions on every aspect you'll need to take you from the bare bones of a draft to a finished novel. You'll also hear from guest speakers including published alumni, Faber authors and senior Faber editors.

It's also a chance to build a writing group that you can take with you into your future writing career. Over the course of the six months, you and your classmates will give feedback on each other's work, honing your own editorial eye as well as helping them develop their stories, and will be there to cheer each other on as you approach the finishing line of your first draft.

Is this the right course for me?

This is an advanced course, designed as a practical alternative to a Creative Writing MA. Accordingly, it's not suitable for writers who would consider themselves complete beginners. That doesn't mean you need to have taken courses before, but it does mean that you need to feel confident that you're ready to start work on your novel. You will also need to have an idea for it – it might be one you've been working on for a while, or it could be something a little more unformed that you're hoping to pin down with the help of the course.

In weekly workshops, we'll cover everything from the first conception of an idea through to getting words on the page, narrative structure, character development and editing. You'll be learning from our experienced Course Directors, as well as guest tutors including top authors from Faber and elsewhere, editors, agents and industry professionals – and, of course, the fourteen other dedicated writers in your class.

You'll receive one-to-one feedback from your tutor and you'll also have 10,000 words of your novel workshopped in class during your peer presentation sessions.

If you're looking to start a career as a writer, there is no better way to get going on the road to publication than to meet the people who make that happen every day. Hear talks from the likes of Faber Executive Chair Stephen Page and Faber commissioning editors, then put your work in front of London's top literary agents once the course is over in the much-anticipated anthology.

    This course consists of twenty-two two-hour evening sessions and six full-day sessions. All evening sessions will take place on Wednesdays, 19.00–21.00. Full-day sessions will take place on Saturdays from 10.00–16.00 – see programme for dates.

    Please note: your tutor may adapt the titles, order or content of these sessions based on the needs or interests of the students in any given class. Guest tutors may be subject to change due to unforeseen circumstances.

Course Programme

Session 1

Wednesday 4 October, 7 – 9 p.m.

Introductory Session...

Session 2

11 October, 7 – 9 p.m.

Creating Ideas & Planning...

Session 3

Saturday 14 October, 10 a.m. – 4 p.m.

Workshop and Guest Session...

See remaining sessions

Course Programme

Writing a Novel (Evening)

Session 1

Wednesday 4 October, 7 – 9 p.m.

Introductory Session

Session 2

Wednesday 11 October, 7 – 9 p.m.

Creating Ideas & Planning

Session 3

Saturday 14 October, 10 a.m. – 4 p.m.

Workshop and Guest Session: Kate Maxwell (Faber Academy Alumna)

Guest Session, Faber Academy Alumna: Kate Maxwell was born in London, studied English at Oxford University, and has worked as a journalist and editor in London and New York.

Kate started writing her debut novel on a Faber Academy course in 2018 and it was shortlisted for the Bridport Prize’s Peggy Chapman-Andrews First Novel Award. She now works freelance as a content consultant and writes travel features for newspapers and magazines including the Financial Times, New York Times, Wall Street Journal, and Condé Nast Traveller, for which she is a contributing editor.

Hush was published by Virago in 2022 and Kate is currently working on her second novel.

Session 4

Wednesday 18 October, 7 – 9 p.m.


Session 5

Wednesday 25 October, 7 – 9 p.m.

Guest Tutor: Ingrid Persaud

Ingrid Persaud is an award-winning writer and artist. Love After Love (2020), her debut novel, won the 2020 Costa First Novel award, the Author’s Club First Book Award 2021, and the Indie Book Award for Fiction 2021. Other prizes include the BBC National Short Story Award, 2018 and the Commonwealth Short Story Prize 2017. Ingrid was born in Trinidad and now lives in London.

Session 6

Wednesday 1 November, 7 – 9 p.m.

Point of View

Session 7

Saturday 4 November, 10 a.m. – 4 p.m.

Workshops and one-to-ones

Session 8

Wednesday 8 November, 7 – 9 p.m.


Session 9

Wednesday 15 November, 7 – 9 p.m.


Session 10

Wednesday 22 November, 7 – 9 p.m.

Story vs Plot

Session 11

Wednesday 29 November, 7 – 9 p.m.


Session 12

Saturday 2 December, 10 a.m. – 4 p.m.

Workshops and Guest Tutor

Session 13

Wednesday 6 December, 7 – 9 p.m.

The Role of the Narrator

Session 14

Wednesday 13 December, 7 – 9 p.m.

Conclusion of Phase One

N.B. This session will be followed by a Christmas break.

Session 15

Wednesday 10 January, 7 – 9 p.m.

The Passage of Time

Session 16

Saturday 13 January, 10 a.m. – 4 p.m.

Workshops and one-to-ones

Session 17

Wednesday 17 January, 7 – 9 p.m.


Session 18

Wednesday 24 January, 7 – 9 p.m.

Guest Session: Liv Maidment

In this session, we will be joined by Liv Maidment, a Literary Agent at Madeleine Milburn, who specialises in literary and upmarket fiction, and select literary narrative non-fiction.

Session 19

Wednesday 31 January, 7 – 9 p.m.


Session 20

Saturday 3 February, 10 a.m. – 4 p.m.

One-to-ones in the morning, workshops in the afternoon

Session 21

Wednesday 7 February, 7 – 9 p.m.

The Publishing Process

Session 22

Wednesday 14 February, 7 – 9 p.m.

Guest Tutor

Session 23

Wednesday 21 February, 7 – 9 p.m.

Research and Exposition

Session 24

Wednesday 28 February, 7 – 9 p.m.

Life Writing

Session 25

Saturday 2 March, 10 a.m. – 4 p.m.

Selling your novel; synopses, pitches

Session 26

Wednesday 6 March, 7 – 9 p.m.


Session 27

Wednesday 13 March, 7 – 9 p.m.

Guest Tutor: Ella Gordon

In this session, we'll be joined by Ella Gordon, Editorial Director at Wildfire Books.

Session 28

Wednesday 20 March, 7 – 9 p.m.

Round-up session and next steps

Session 29

Thursday 21 March – Thursday 18 April

Structured Writing Time

During the month following the course, our bespoke online classroom will provide a structured space for you to continue working hard on your novel, and to produce, workshop and hone a synopsis and extract from your novel, to be included in Faber Academy's highly regarded anthology, circulated to hundreds of agents and editors.

How to Apply

Places on this course are limited and keenly contested, but we strive to keep the application process as simple as possible. The three steps to apply are outlined below:

Covering letter

Reading your application, tutors are looking to get a sense of you as a writer and as a member of the group. As such, we don't have specific requirements from your covering letter, but it's a good opportunity to tell us what you want to get out of the course, what sort of writing experience you've had, why you've chosen us and why you've decided to do it now.

Prose sample (1,000 words max)

Your sample does not have to be a complete story, and it doesn't have to be from the novel you want to write on the course – just representative, so the tutors can get a good idea of what you'll be working on. If you're planning on writing first-person comic sci-fi on the course, don't send your omnisciently narrated historical mystery!

Submit your application

That's it! We'll aim to respond to all applications within ten days of the application deadline.



Richard T. Kelly

Richard T. Kelly is the author of the novels Crusaders (2008), The Possessions of Doctor Forrest (2011) and The Knives (2016)...

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Richard T. Kelly

Sarah May

Sarah May is the highly acclaimed author of seven novels, including The Nudist Colony, (shortlisted for the Guardian First Book Award...

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Sarah May

Joanna Briscoe

Joanna Briscoe is the author of the novels Mothers and Other Lovers, which won the Betty Trask Award; Skin; Sleep With Me, which...

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Joanna Briscoe

The best investment I have ever made in myself [...] Working alongside other writers on a similar journey has been supportive and inspiring. The last six months has been an incredible journey – one of the most difficult, most challenging but most satisfying ever.


Writing a Novel

Joanna gave me confidence in my writing and the tools and framework I needed to get going, making a task that had felt insurmountable seem achievable. I can't recommend her or the course highly enough.

Kate Maxwell, author of Hush

I've taken a lot of writing classes from a lot of different organizations in and since university, and this was by far the best. Sabrina (especially) was the best writing tutor I've ever had.


The best investment I have ever made in myself [...] The last six months has been an incredible journey – one of the most difficult, most challenging but most satisfying ever.


The Bindery

51 Hatton Garden

London EC1N 8HN

How to get here

Faber’s office, The Bindery, is well connected by public transport, with Farringdon Station just five minutes’ walk away, and stops for several bus routes in the area too. If you’re coming from outside of London, the office is a short bus or taxi journey from Kings Cross, Euston and St Pancras stations.

Frequently Asked Questions

How much time do I need to commit to this course outside of the classes?

We usually say you’ll need to set aside five to seven hours per week, outside of class time. This is for your own writing – sometimes in response to a particular task your tutor has set you, but generally just for making progress on your novel – and for reading the extracts of the students being workshopped the following week. If you have more time available for writing, that’s absolutely brilliant. But five to seven hours will keep everything ticking over nicely.

How do you allocate tutors? Can I request a specific tutor?

The tutors read all the applications and they, along with the Academy team, then put together class lists based on a couple of factors. There may be students writing on subjects or in genres that the tutors feel they’d be helpful with, or with writing samples that particularly excite them. We’re also looking to put together groups who will complement each other and provide a broad range of experience and interest. So for example, we’ll try and avoid a situation where fourteen of you are writing crime and one of you is writing epic fantasy.

You’re more than welcome to request a specific tutor and we’ll do what we can to facilitate that if it’s possible, once those other considerations have been taken into account.

I'm available for both the day and evening version of the course – can I apply for both?

Absolutely – you’ll just need to submit two separate applications. And if you’re available for either, but have a preference for one, we ask that you indicate that on your application as it will be helpful when we’re putting together potential class lists.

I'll need to miss a couple of sessions because of other commitments. Does this matter?

Not necessarily! It’s often the case that students have to miss a session over the course of the six months. You’d just need to let your tutor know in advance so that they can give you any handouts you’ll miss, and you’ll usually find that your classmates will be happy to share notes afterwards too. Having said that, if you know you’d be missing more than two consecutive classes, that’s a little different. Get in touch and we’ll be happy to advise.

How many other people will there be in my class?

There are fifteen students per class.

How often will I get feedback on my work, and will I have one-to-one time with my tutor?

You’ll receive feedback from the entire group on 10,000 words of your novel – this is usually done in two separate peer presentation sessions of 5,000 words, spaced out during the six months. These discussions are led by your tutor. You’ll also have a one-to-one with your tutor towards the end of the course.

Will I get access to agents and editors as part of this course?

Yes. You’ll have guest speaker sessions with at least one agent and editor during the course, and these slots include a Q&A session where you’ll be able to ask them your own questions. You’ll also submit an extract of your novel to us at the end of the course for inclusion in our anthology. We send this to a long list of UK literary agents, and they’ll be able to contact you directly if they’d like to see more.

I already have a literary agent. Can I still take this course?

Yes, absolutely. We’ve had previously published and currently agented authors take the course before, for many reasons – whether you’re looking to build up your technical knowledge, or changing genre, or just feel in need of the structure of a course and the camaraderie of a group, we’re more than happy to see an application from you even if you’re at the more experienced side of the scale.

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