Less is More: Starting to Write Short Stories Less is More: Starting to Write Short Stories Less is More: Starting to Write Short Stories

Less is More: Starting to Write Short Stories

Always wanted to write short stories but don’t know where to begin? This is a course for writers interested in getting to grips with the form and its expansive potential.

Level

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Starting out

What do these levels mean?

Location

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Online

Length

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1-5 days
  • Start Date
  • Time
  • Monday–Friday, 10.00–16.00

Places available

£595

15 in stock

Quantity:

Bigger is not always better...

In a five day intensive course, we will explore a wide range of short story types – from flash fiction to the novella – looking at some of the best examples of the form, and identifying and practising the skills you need to write your own.

In a nurturing and supportive environment, we will build on the skills each writer brings to the course. We'll analyse the craft involved in creating a good story and introduce you to some of the techniques you need to create your own.

You'll also spend the week workshopping, giving and receiving constructive feedback, and growing your inner editor. All of this will help you identify the strengths and weaknesses which can make or mar your story. By the end of the week you will not only have completed a draft, but also revised it in the light of workshopping and tutor feedback.

Is this the right course for me?

If you have always dreamed of writing short stories but never got round to it – due to lack of time, or uncertainty about how to begin – then this is the course for you.


If you have been writing in another genre, and are interested in extending your skills and exploring one of the most enduring forms of all – then this is the course for you.


If you're a lapsed short story writer who wants to reinvigorate their practice with a like-minded group of enthusiasts – then this is the course for you.

    The course will run from 10:00 to 16:00., Monday to Friday, via a mixture of Zoom workshops, structured writing time and participation on Faber Academy's bespoke online classroom.

    The pattern of the week will be teaching, exercises and discussion in the mornings, and writing time, workshopping and one-to-one tutor feedback in the afternoons. Students are encouraged to send Jane their exercises/drafts during the lunch break for same day feedback, or by 17:00 for feedback the next day.

Course Programme

Session 1

Monday 8 September, 10.00–16.00

How to Begin a Story...

Session 2

9 September, 10.00–16.00

Drafting...

Session 3

10 September, 10.00–16.00

Structure...

See remaining sessions

Course Programme

Less is More: Starting to Write Short Stories

Session 1

Monday 8 September, 10.00–16.00

Beginnings

We'll start with introductions and an overview of the course before organising the class into two groups for workshopping and feedback purposes. We’ll look at opening paragraphs of prize-winning short stories and through discussion, build up a list of the key elements of a great opening. We’ll also discuss the range of types of short story, from flash fiction to novella – and have a think about genre.

Session 2

9 September, 10.00–16.00

Point of View

Which voice are you using – first, second, third? We’ll read and discuss some examples, to discover the strengths and disadvantages of each.

Session 3

10 September, 10.00–16.00

Writing Dialogue, Revealing Character

An exploration of key techniques for revealing character, including dialogue. Here, we'll also be thinking about backstory – how much do you need, how do other writers use it?

Session 4

11 September, 10.00–16.00

On Atmosphere & Sense of Place

In the best stories, setting is not just wallpaper, but an active player in the story. We'll spend some time thinking about setting in your own story, considering how much is too much and how to maximise the effect when the word count is at stake.

Session 5

12 September, 10.00–16.00

Editing

'A short story is small in the way a bullet is small.' A. L. Kennedy

The focus is on economy. We’ll think about editing and cutting, and polishing the stories you have been working on during the week. There will also be a time for listening and celebration; we’ll hear a 5 minute reading from each participant’s short story before discussing where to go from here.

I enjoyed the course and for myself the achievement was that I completed 5 stories – with comments to work on! Thank you.

Previous student

Jane has helped me become so much more confident in myself as a storyteller. I know I still have a lot to learn but I feel that I now have foundational skills I can continue to build on.

Previous student

Jane has helped me become so much more confident in myself as a storyteller. I know I still have a lot to learn but I feel that I now have foundational skills I can continue to build on.

Tutor

Jane Rogers for Faber (credit Linda Newbery)

Jane Rogers

Jane Rogers writes novels, stories, and radio drama. She has set books in the present (Island) and the past (Mr Wroe’s Virgins) but she is increasingly drawn to future fiction...

More About This Tutor
Jane Rogers

The Faber Academy Scholarship Programme

There is a scholarship place available on this course for a writer who otherwise could not afford to attend. We particularly welcome applications from writers of colour, working class writers, disabled writers and LGBTQ+ writers.

 

To apply, please email a covering letter and a 1,000 word prose sample (as Word docs or PDFs) to academy@faber.co.uk, with the subject line ‘Scholarship Application: Less is More – Starting to Write Short Stories’. Your sample prose needn’t be short fiction. The full terms and conditions and more information about our scholarship programme can be found below.

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