Advanced Poetry Advanced Poetry Advanced Poetry

Advanced Poetry

If you’re a committed aspiring poet hoping to take your writing to the next level, join Daljit Nagra and Rebecca Tamás for this six-month course at the home of British poetry.

Level

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Advanced

What do these levels mean?

Location

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Online

Length

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6 month +
  • Start Date
  • Time
  • Flexible (see Course Programme)
  • Application Deadline
  • Monday 15 Sep 2025

Places available

£2750

£2750

£400 / month for 5 months and a £750.00 deposit

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Dedicate six months to your craft

Faber has been at the heart of poetry for near 100 years – from Eliot to Plath to Heaney and through to today’s diverse and celebrated poets. Where better to work on your own poems? Combining the rigour and camaraderie of Faber Academy's London courses with the flexibility of the online space, this newly redesigned six-month poetry course is for the serious, committed poet working towards a first pamphlet or collection.

Is this the right course for me?

This is an advanced course, so you'll already have experience writing poetry, whether you've been learning the craft on your own or have taken previous courses. You'll be motivated to develop your skills further, and will be open to experiment with new techniques, forms, and perspectives. You’ll be keen to build up a body of work, writing within the community of a like-minded and committed group of poets.

‘A poem,’ the Australian poet Les Murray said, ‘comes from the unconscious mind, the conscious mind, and from the body.’ In this course, you will be prompted to stimulate your latent imagination, to discover and activate potent material, and find confidence in your own distinctive voice. You will also learn, or re-learn, poetry’s demanding skills in an informed and disciplined context. You will acquire the habit of reading with the predatory instincts of a practising poet, so you possess the technical know-how, discriminating ear and self-critical awareness to push your own work to the highest standard.

Follow an intensive schedule that includes week-by-week input from the tutors – with writing tasks, exemplary poems, reading recommendations and considered feedback. The 24 sessions provide a substantial and coherent online programme, which combines regular live Zoom classes lead by the tutors with online resources you can access in your own time. You are also encouraged to share work and ideas with your fellow poets, and to interact critically and supportively within the group. In addition, the course comes with one-to-one tutorials with expert tips and guidance, and with four acclaimed poets as guest readers and tutors.

The course is tuned both to the innovative practices of contemporary writing and to the enduring principles of poetry through the ages. You will encounter a diverse spectrum of styles and voices, and will be encouraged to experiment in new directions and to exert your imagination with fresh intent – while always maintaining a central focus on the development of your own poetry.

A key feature of the course will be its one-to-one feedback sessions. Each student will have one hour’s individual tutorial time between the tutors, as well as ongoing feedback opportunities within the group.

This is a course with a dynamic overall structure designed to enable everyone to advance their writing incrementally over the six months. The cumulative objective is for you to assemble a pamphlet-long portfolio of workshopped and redrafted poems in that period.

    This course will feature a mix of 'live' group teaching, one-on-one conversations with the tutors, reading prompts, writing exercises, workshopping, forum discussions and guest tutor session. There will be a weekly group Zoom between 18.30 and 20.30 on Monday evenings.

Course Programme

Session 1

Monday 29 September

What's New in Poetry? with Rebecca...

Session 2

6 October

The Material World with Rebecca Ta...

Session 3

13 October

The ‘Confessional’ Mode with Rebec...

See remaining sessions

Course Programme

Advanced Poetry

Session 1

Monday 29 September

What’s New in Poetry? with Rebecca Tamás

An introduction to the latest poetry, and a reflection on where poetry is at as a genre right now. You'll meet both your tutors, and get to know the group.

Session 2

6 October

The Material World with Rebecca Tamás

How do we use the material and imagistic world to energise the themes of our poetry? What does a truly impactful poem of the material look like, and how can we create them? Traversing the material from Federico García Lorca and Osip Madelstam to Fanny Howe and Sasha Debevec-McKenney.

Session 3

13 October

The ‘Confessional’ Mode with Rebecca Tamás

How has the ‘confessional’ poem changed, and how might we want to explore the personal in today’s poetic landscape? Exploring the history and future of the confessional with work by Sylvia Plath, Sophie Robinson, Jack Underwood and Natalie Diaz.

Session 4

20 October

The Prose Poem with Rebecca Tamás

Exploring prose poems and their blurred boundaries with flash fiction, with work from Anne Carson, Lydia Davies, Mei-mei Berssenbrugge and Claudia Rankine.

Session 5

27 October

Environmental Poetics with Rebecca Tamás

Contemporary Ecopoetics with poems by Elizabeth Jane Burnett, Jen Hadfield, Pratyusha and Daisy Lafarge.

Session 6

3 November

Occult and Esoteric Poetics with Rebecca Tamás

Is the poem a spell, and the spell a poem? Weaving magical and esoteric pathways with work from Dorothea Lasky, Bhanu Kapil, Ariana Reines and Nisha Ramayya.

Session 7

10 November

Gender, Sexuality and Poetics with Rebecca Tamás

Queer and gender non-conforming poetics with Richard Scott, C.A. Conrad, Eileen Myles, and Danez Smith.

Session 8

17 November

Philosophical Poetry with Rebecca Tamás

What kind of thinking can only a poem achieve? Exploring philosophical poetics in the work of Wallace Stevens, Jorie Graham, Rosebud Ben-Oni and Bernadette Meyer.

Session 9

24 November

Guest Session #1

An evening with your first guest tutor.

Session 10

1 December

The Inner Argument with Daljit Nagra

W. B. Yeats once said, 'Out of the quarrel with others we make rhetoric, but of the quarrel with ourselves we make poetry.’ We will explore how we turn our own quarrels into poetic argument, how we structure a logical and sensual debate.

Session 11

8 December

Forms of Verse with Daljit Nagra

The three forms of verse – lyric, narrative, dramatic – and identifying the differences between them for maximum efficiency.

Session 12

15 December

Narrative Verse with Daljit Nagra

How narrative poetry is being reinvented to suit genre fluidity where mood and the socio-political are engaged.

Session 13

22 December

Guest Session #2

An evening with your second guest tutor.

Please note, this session will be followed by a two-week winter break.

Session 14

5 January

Syllabic Verse with Daljit Nagra

Exploring ways to find freedom in rigid syllabic counts with forms such as the Sapphic Ode, and the modern haiku.

Session 15

12 January

Rhythm with Daljit Nagra

Some types of rhythm and how we can learn to slow down or speed up a line or the whole poem excite the poem.

Session 16

19 January

Imbrication with Daljit Nagra

Exploring ways to control the breath of the poem and creating dynamic spaces within the flow of the poem.

Session 17

26 January

Humour with Daljit Nagra

The philosophical underpinnings of humorous verse, and the types of humour we adopt for serious verse.

Session 18

2 February

Guest Session #3

An evening with your third guest tutor.

Session 19

9 February

Qualia with Daljit Nagra

Qualia is the state of being aware, sensually aware, and a fascinating exploration for the effectiveness of the lyric.

Session 20

16 February

Elegy with Daljit Nagra

The most prevalent type of poem, along with love poetry, we’ll explore some ideas for writing a gripping modern elegy.

Session 21

23 February

Prose Poetry with Daljit Nagra

A popular modern form, but what are its possibilities and how can we write freely in a form that already feels too free.

Session 22

2 March

The Season of Spring with Daljit Nagra

As we come to the end of the course, let’s consider poetry for a season and the types of engagement it typically invites.

Session 23

9 March

Guest Session #4

An evening with your final guest tutor.

Session 24

16 March

Final Session & Celebration

A celebration of all your hard work over the previous six months, and a chance to chat next steps.

Advanced Poetry Tutors

daljit-nagra

Daljit Nagra

Daljit Nagra has published four poetry collections with Faber & Faber. He has won the Forward Prize for Best Individual Poem...

More About This Tutor
Daljit Nagra
3b0a6457-7f23-4898-9131-1b6332bbd0f2

Rebecca Tamás

Rebecca Tamás' first collection of poetry, WITCH was published in 2019 by Penned in the Margins. WITCH was a Guardian, Times, Telegraph, The White Review, Irish Times, The Paris Review...

More About This Tutor
Rebecca Tamás

How to Apply

Click 'Apply now' and you'll be prompted to upload the documents detailed below. Remember that when reading your application, tutors are looking to get a sense of you as a poet and as a potential member of the group – so both parts of your application are as important as each other.

Covering letter

Tell us what you want to get out of the course, what sort of writing experience you've had, why you've chosen us and why you've decided to do it now.

Four to six poems

These should total no more than 1,200 words, and give the tutors a good idea of your style and voice. We're happy to accept prose poems, and will also accept translations although we can't guarantee we'll have a reader who speaks the original language.

Submit your application

That's it! We'll aim to respond to all applications within ten days of the application deadline.

The Faber Academy Scholarship Programme

There is a scholarship place available on this course for a writer who otherwise could not afford to attend. We particularly welcome applications from writers of colour, disabled writers and LGBTQ+ writers.

To apply, please email your covering letter and a single document of four to six poems (both as Word docs or PDFs) to scholarships@faber.co.uk, with the subject line ‘Scholarship Application: APO5’. The full terms and conditions and more information about our scholarship programme can be found below.

Find out more

Better than any MA. The most generative, supportive, inspiring environment any budding poet could wish for. […] Life changing. Do it

Jennifer Nadel

Without exaggeration, this Faber course, in form and design, has given me new life-blood as a poet. I’d do as many Faber courses as I possibly could, it was so expansively invigorating.

Wendy Orr

The Faber Academy program was one of my true poetic educations. […] The formative enquiry I received at the academy was impeccable.

Simon Costello

[L]earning was driven by the sheer joy of reading contemporary work and being part of that […] community. We were unquestionably welcomed as serious writers and peers and that level of trust was easy, natural and empowering.

Wendy Orr

Faber Academy was such a jewelbox for me. I really felt pushed and challenged; I read poems I’d never read before […] and wrote poems that I never would have been able to write otherwise.

Ellora Sutton

We were immersed in theory, practice and technical challenges, which didn’t feel like work at all – just a group of friends sharing ideas.

Wendy Orr

I loved the Faber Poetry course. It freed my writing and gave me confidence to pursue my ideas in new ways.

Mary Mulholland

Where an MFA has been financially and physically inaccessible to me […] this Faber course left me feeling like I'd had the intensity of depth of that experience from my own home, and I wasn’t disappointed.

Wendy Orr

What was most powerful about the course was placing active aspirant poets together and getting them into contexts where they could write.

Student

It was a wonderful experience. Can't thank you enough.

Student

It was very creative but also intellectually challenging which I liked [...] It has got me through the last six months. It's been amazing and I will be recommending it widely.

Student

Frequently Asked Questions

What level do I need to be at to take this course?

The course is the practical equivalent of an MA, so it’s for those who have a serious interest and commitment to reading and writing contemporary poetry. We’ll expect you to be familiar with contemporary poetry, and to be writing poems seriously with an eye towards publication. The tutors won’t be teaching the basics of poetry on this one, so it’s important to have either had a fair amount of experience of writing and self-studying, or perhaps to have taken a course of some kind in the past​.

How much contact will I have with the tutors during this course?

You’ll see a lot of both tutors during the six months – as well as regular live Zoom classes where you’ll be discussing the week’s poems, and receiving tutor instruction and timed writing exercises, there will also be two thirty-minute tutorials over the length of the course.

Can I pay the fee in instalments?

Yes, there’s an instalment plan available for this course. This consists of a £750 deposit followed by four monthly instalments of £500 once the course begins. If your application is successful, you’ll be able to opt to pay in instalments when accepting your place.

Browse the Reading Room

From author interviews and writing tips to creative writing exercises and reading lists, we've got everything you need to get started – and to keep going.

For more information, message us or call 0207 927 3827